Dear Lara

by Lara St.John

produced by Patrick Hamm

Spearheaded by violinist Lara St. John, Dear Lara opens with her own experience of being raped at the age of 14 at the prestigious Curtis Institute in Philadelphia, which she made public in 2019. The film goes on to present the parallel stories of many others, as Lara speaks at length with other survivors from around the world. It sheds light on horrific occurrences at institutions like Chetham’s School in northern England, the Amsterdam Conservatory, North Carolina School of the Arts, Toronto’s Royal Conservatory, and L.A.’s elite Colburn School, as well as stories from musicians at major orchestras. The project unearths a pattern of severe misogyny and male entitlement afflicting children and women at every stage of their musical and personal lives. And in every case, the men have benefited from the complicity of the institutions they work for.

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The Labor of Pain and Joy

by Karoliina Gröndahl

produced by Kirsi Mattila

The birth experience affects the whole life. Two Finnish birth experts, midwife Kirsi and doula (birth support person) Anna-Riitta, work to improve birth practices and empower birth givers. Observational yet strongly cinematic, The Labour of Pain and Joy explores the personal, social and mythic levels of birth.

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Lama´s Son

by Kesang Tseten

Lama Tsultrim, in his late 70s, is a lama of the pre-Buddhist Bon religion from a tiny village in Nepal Himalaya. He is awaiting his son’s return, to take over ritual duties that he, as a Bon Lama, must perform for Bon and Buddhist patrons in the mountain region of Mustang.  The lama has been waiting for 21 years.

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Where Dragons Live

By Suzanne Rae

Produced by Ilja Roomans

Suzanne Raes’ film follows the Impey family through a major transition: rifling through the contents of their childhood home in preparation to sell it, with their own children watching on. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind. Working through her award-winning documentary collective, Docmakers, filmmaker Raes (0.03 Seconde, Two Men, Close to Vermeer) carves out a disarmingly tender rumination on parent-child relationships. Giving equal weight to each sibling, balancing the light and shade of the physical and emotional spaces of their lives, Where Dragons Live also features some dazzling visuals in the way it presents this personal history.

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