French documentary editor and filmmaker
Audrey has been making films for over 30 years, both as a film editor and as a film
director, for cinema and television. She mentors and works with emerging
filmmakers, from all over the world and is known to be supportive to the beginners
and their work.

She began her carrier working with Eyal Sivan for more than fifteen years as an
editor (A Specialist, Portrait of a Modern Criminal, Jaffa, the Clockwork Orange, Road
181, Common State and many others) and as a co-director (I love you all).
Some of her credits as an editor include: Conversation on a Sunday Afternoon by
Khalo Matabane, Here we drown the Algerians by Yasmina Adi, The Siege by Rémy
Ourdan, The Colonel’s Stray Dog by Khalid Shamis, This is my Land by Tamara Erde,
The Zimov Hypothesis by Denis Snieguerev, the recent series Slavery routes directed
by Fanny Glissant, Juan Gélas and Daniel Cattier, Until I fly by Kanishka Sonthalia and
Siddesh Shetty, Not made for Politics by Volia Chajkouskaya and A Sisters’ Tale by
Leila Amini.

She co directed several archive documentaries for television (ARTE, RTS, PBS) : Adieu
Paysan / Farewell Peasant, Tiananmen, Frantz Fanon, Journey of a Rebel, Vichy in the
Colonies. She is currently preparing a feature length documentary which will give a
reversed perspective on the recent French history through its ultramarine
possessions.

She works as an editing tutor at Dok Incubator, Dok Afrika and Close Up. Among the
recent films she advised, Brotherhood by Francisco Montagner, Between Revolution
by Vlad Petri and Who I am not by Tunde Skrovan. And she has been part of Steps for
the Future in South Africa.

She also gives editing master classes on editing and script writing and she is a
lecturer in Paris I – La Sorbonne on fiction and documentary.

She received a masters degree in philosophy from Paris IV – La Sorbonne.
She currently lives in Paris.