The Impact of Continuity Editing in Narrative Film on Event Segmentation by Joseph P. Magliano, Jeffrey M. Zacks
The Most Common Problems of Rough Cuts
How and Why Rough Cut Service and the Most Common Problems of Rough CutsIikka Vehkalahti and Joelle Alexis. Moderated by Cecilie Bolvinkel.Password: 0l?a5zN+
Dramaturgy, Scenes and Narration
Dramaturgy, Scenes and NarrationAnne Fabini and Yael Bitton. Moderated by Iikka Vehkalahti.Password: 0o$s.#F+
Work with Archive Material
Work with Archive MaterialJoelle Alexis and Audrey Maurion. Moderated by Cecilie Bolvinkel.Password: 2u.u^z1E
Psychodynamics of the Editing, Emotional Editing and the Relation Between the Director and the Editor
Psychodynamics of the Editing, Emotional Editing and the Relation Between the Director and the EditorNiels Pagh Andersen and Mary Stephen. Moderated by Jakob Høgel.
Anatomy of a Scene: Deconstructing Documentary Films with Jean Tsien & Carla Gutierrez
Anatomy of a Scene: Deconstructing Documentary Films with Jean Tsien & Carla GutierrezPanel with editors Carla Gutierrez and RCS member Jean Tsien, moderated by editor and producer Jeremy Workman.
Panel on Editing to Develop Characters
Panel on Editing to Develop CharactersPanel with editors Alla Kovgan, Toby Shimin, and RCS member Per K. Kirkegaard, moderated by editor and producer Garret Savage.
Every Frame a Painting: How does an editor think and feel
Every Frame a Painting: How does an editor think and feelVideo from Tony Zhou, Every Frame a Painting on the instinctual and individual in film editing.
Karen Schmeer on the use of stylization
Karen Schmeer on the use of stylizationEditor Karen Schmeer talks about a scene from Mr. Death: The Rise and Fall of Fred A. Leuchter, Jr. (Errol Morris, 1999).
Dialogue with Mary Stephen
Dialogue with Mary Stephen – Part 1 & Part 2Mary Stephen in conversation with Ruby Yang. Between Part 1 and Part 2 the documentary The Apology (Tiffany Hsiung, 2016) edited by Mary Stephen was screened.