by Hans Block, Moritz Riesewieck (Germany 2018)
A look at the shadowy underworld of the Internet where questionable content is removed. Premiere at Sundance 2018. Nominee International Emmy Awards (Outstanding Science and Technology Documentary). Nominee News & Documentary Emmy Award.
by Inka Achté (India, UK, Finland 2018)
At times like an absurd comedy, at times a heart-breaking drama, Boys Who Like Girls follows the challenges of three men, interconnected through the organization MAVA (Men Against Violence And Abuse) in Mumbai, India. Premiere Sheffield Doc/fest 2018.
“In the editing process one can easily become blind to the material and its potential. The help we got from RCS was absolutely vital in first of all getting very skilled and insightful but objective eyes to look at our cut. As a first time filmmaker, it was very important for me that the feedback was encouraging, warm, seemed to be “on our side” but was also honest, critical and constructive. There is no doubt in my mind that the film is much better as a result from RCS help.” Inka Achté, director
by Ivars Seleckis (Latvia 2018)
A master film maker from Latvia follows children, when they start their first schoolyear. The film grows during the year to reflect the different lifestyles and values in the Latvian society today. International premiere at Visions du Réel 2018. Latvia’s Oscar entry for best foreign language film.
by Frode Skog (Myanmar, Norway)
Norwegian Director Frode Skog returns to his childhood home of Rangoon, Burma to make a film he’s waited 25 years to finish.
by Giovanna Giovanini & Rodrigo Boecker (Brazil 2018)
How much is a woman capable of letting go when she can lose everything in the blink of an eye? Susana Schnarndorf is a Brazilian professional swimmer and mother of three, who was diagnosed in 2005 with Multiple System Atrophy. In 2013, beyond any given life expectancy, Susana decides to start a one-thousand-day journey to achieve a dream – a medal in the 2016 Para-Olympic Games. Atlanta Film Festival – nominee Grand Jury Award. Screened at Havana Film Festival, São Paulo International Film Festival, This Human World.
“Rough Cut Service was one of the most important pieces of our puzzle during the editing process. After many years shooting one story, we become kind of “blind” to really see some aspects of it. Iikka and Erez were very sensitive and accurate in terms of defining the boundaries between what we have lived during filming and what is within our images. They were exceptional in understanding our view as auteurs and working from this aspect, exploring the potentials that we had within it.
RCS is an important tool in documentary world that gives the opportunity for young directors to connect with very talented and experienced editors throughout the world for bringing up what we all have in common: love for documentaries.” Giovanna Giovanini & Rodrigo Boecker, directors.
by Morten Vest (Denmark 2018)
The story of Danish Christian missionaries in countries like Nigeria is not just about the past – on the contrary. A fascinating, historical film in two parallel tracks. Premiere at CPH:DOX 2018.
by Hogir Hirori and Shinwar Kamal (Sweden 2017)
What difference can a pair of clippers make? In deminer Fakhir’s hands: thousands and thousands of human lives. A portrait of a Kurdish colonel, who disarmed thousands of roadside bombs and mines armed only with his courage and a pair of wire cutters. Special mention at IDFA 2017, feature-length competition. One World International Film Festival – Best Film. Nordisk Panorama – Best Nordic Documentary. Inconvenient Films Festival – Audience Award. Human Rights Human Wrongs Festival – Best International Documentary. DOCVILLE – The Conscience Jury Award.
by Mila Turajlic (Serbia 2017)
For Serbian filmmaker Mila Turajlic, a locked door in her mother’s apartment in Belgrade provides the gateway to both her remarkable family history and her country’s tumultuous political inheritance. Premiere at Toronto International Film Festival. IDFA 2017 – Best feature-length documentary.
by Luciana Kaplan (Mexico 2017)
Transportation is a burning topic of everyday life nowadays. Rush Hour follows three stories, three cities and three characters in different contexts but similar realities that survive long journeys and time of life lost. Morelia International Film Festival 2017 – Best Mexican Feature-Length Documentary. Screened at SXSW, Hot Docs, Documental Ambulante.
by Manuele Cecconello & Maurizio Pellegrini (Italy 2017)
The Mountain Pact was the first act in Europe through which equal pay between men and women was established. It took place in 1944 in Biella – the oldest textile district in Italy. Now a young fashion designer goes to Biella to trace back the roots of the fabrics he uses to create his own collections. He meets places, outputs and protagonists, such as Nino Cerruti and Argante. The former is the internationally renowned stylist and son to one of the signatories of the pact, the latter is a partisan commander and witness of what took place then.
“I met Joelle Alexis in a training session about how to do good teasers and when she looked at the teaser of the Mountain Pact she simply said: “nothing to say… perfect, professional”. Now I’m back to Rough Cut Service and I hope the film will impact equally good, but I know your full support and help will make the difference!”
Francesca Conti, producer.
